David Jiménez



Versus unfolds in a dual stage, with the presence of the extremes of white and black as polarities between which a series of interwoven phenomena are deployed. It contains photographs taken over the course of twenty years in nineteen different countries. It moves away from the narrative and explores the limits of representation and of visual perception. The creation of these parallel universes undergoes a radical way of photographing, inviting the viewer to grope for clues to identify what is real or not and to follow the threads that connect the two symmetrical worlds.